Collections

Three portraits made against total darkness, where the absence of environment forces the face and hands to carry everything. These images share a formal strateg

The body costumed, masked, or in violent motion — no longer a person but a surface on which performance is inscribed. A dancer in a derelict interior (E000086),

The same photographer, the same day, the same subject — but two instruments. The Hasselblad X2D (100 megapixels, medium format, deliberate) and the iPhone (quic

A document of the American West's terminal landscapes — dried lakebeds, salt flats, collapsing structures — where ecological collapse and human abandonment have

A new collection examining the photographic face at the threshold of personhood — from humanoid androids and robotic heads to a digital artist contemplating the

A photographic account of encountering Cubism in the museum — not the artworks themselves but the act of standing before them, the bodies that look, the institu

Fabricated objects — sculptures, assemblages, steampunk machines, salvaged aircraft fuselages — placed in or discovered on the desert playa, where radical empti

An informal typology of one man photographed across two locations and several hours — the Salton Sea at dusk and the Black Rock Desert the following morning — i

A typology of things placed, found, or abandoned on the Bombay Beach dry lakebed at the Salton Sea — sculptures, machines, assemblages, relics — photographed wi

The Andean salt flat as optical problem — a surface so featureless that any mark upon it (a shadow, a leaping figure, a brine channel, a distant ridgeline) beco

A sustained typological investigation of the male face as psychological terrain — faces that withhold, endure, or turn inward rather than perform for the camera

Portraits of a single subject — a Mediterranean or Middle Eastern man in his fifties — made across multiple sessions and contexts, from studio to desert playa t

Fabricated objects — sculptures, assemblages, industrial hardware — photographed in the radical isolation of American desert playas, where the absence of contex

Photographs of photographs, of gallery installations, of the act of viewing — the eye turned back on its own operation. A man holding a print of a face (E000379

A typological investigation of industrial surfaces at the threshold of function and decay — pallet racking joints, delaminating plywood, corroded rebar, fiber o

People photographed at altitude — the Andean landscape as context for the human figure, not the reverse. The arid plateau, the low mountains, the golden-hour li

Paris photographed in the window between 5:57 and 9:00 AM — before the city fully occupies itself — revealing the architecture, commerce, and cultural infrastru

Geological specimens — gold, malachite, halite, wulfenite — encountered in the dual grammar of natural history and commerce: priced, labeled, lit, and isolated

The Sonoran Desert photographed not as backdrop or postcard but as a functioning biological system with its own temporality — saguaros that live 200 years, stor

Venice, May 4 2026: the room becoming a room of people, the work becoming a moment seen with bodies in it. The opening of Strange Rules in real time.