Practice
A practice is what survives between the photographs. Mine has two visible surfaces. Before each shoot, I draw a scout map — light, route, timing. After the shoot, the work gathers into Beats, narrative cycles bounded by a premise, public commitments, and a closing artifact.
Maps
Hand-drawn scout maps, never photographs. The map is a tool, not the territory; the photograph is what comes after. Currently: Fontainebleau Forest, April 2026.
Open the field guides →Beats
Each Beat is a bounded cycle — a premise, constraints, public surface commitments, and a closing exhibition or artifact. Beats are how a compounding practice gets legible to the outside world. Currently: Resident.
Read the Beats →The map and the Beat are the same instinct on two timescales. One frames a single morning of light; the other frames a season of work. Both exist so the photograph does not have to carry the explanation.